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joins us at infrequent times. Her body is lush, more exotic, if possible. Her childbearing has added new eroticism to her beautiful breasts. They are larger and beautifully low slung now, the nipples longer and larger, her areolas even larger and more beautiful. Her stomach still is softly rounded, and her pussy as sweet, and abundantly juicy as ever. Her husband still does not know of her Sapphitic side.
Sue invited me into her intimate group of lovely women. I attend their lovemaking sessions whenever I am able to get away. They are a delightful group of loving women, all well schooled in the art of Sappho. My initiation, of having them all make love to me at the same time, was a hallmark event in my erotic love life.
Sue, Betsy, Jeanne and I are still frequent visitors to each other. I do not get to Paris as much as I would like, but Jeanne visits Sue from time to time, and Betsy and I always make time to see, and make love to her. She is as delightful and irrepressible as always.
So you have the saga of a chance erotic encounter between the English Maid, and the English Mistress, that turns into a long association of a different nature. What prompted me to ask Daisy to remove her clothing that night, has never been clear to me. Perhaps it was the hormonal levels in my body at the time. Perhaps a lusty whim.
Daisy was more than willing to make love to me that eventful knight. She was also very willing to bring her female lover into the fold. If she had rebuffed me that erotic evening, I might have never known the sexual joys of female companions, and enjoyed the love of these wonderful women I now call friends and lovers.
Mom and I had been at odds with each other before, but nothing like this. I wanted more control over my life, but to her way of thinking, since I lived at home, I was still seventeen.
This last one was a beaut. I walked out in disgust and anger and did it so well I wasnt sure if shed let me back in.
Im no teenager. Im a third year art major with a minor in elementary education. Id been getting enough commercial work to pay the bills, but lately, the jobs werent large enough to pay all that well Mom was pushing hard for me to spend the summer working for Elliot Tarkington, otherwise known to every woman in Pine Springs as the letch. He has a large gallery and he hires young artists during the summer months but his gig is that he tells them how good they are and how he would be willing to hang some of their art, and if they run a little short on money, he is willing to help in exchange for...yeah, youve got it. Mom says that I am strong enough to resist his threats and I
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say I dont want to give him the chance. I wont make as much elsewhere, but I dont have to worry about my reputation.
I was sitting in the coffee shop, trying to decide what to do, when in walked my cousin, Jillian. Shes older than I by a little over a year, and usually travels for a major information technology company, so. I was shocked to see her in this little coffee shop.
I asked her why she was in town and how she knew where Id be. She told me she came in to see her mother, my Aunt Lilly, and attend a conference that started on Monday. Evidently Mom had called Lily and dumped on her and of course, she would know where Id be. It had been our favorite place for a long time. .
So, I poured my guts out to her and she totally agreed with me. "You need to talk to Mom," she said. "Shes not afraid of her sister and she will most definitely agree with you."
Well, to make a long story shorter, I did talk to Aunt Lilly. Then she and Mom got into a long drawn out bitch fight and mom declared that Im not welcome there unless I come on hands and knees and beg, and THEN go to work for Elliot. It aint gonna happen.
We left the coffee shop to go to Odoules Irish pub where we met Lily. Jillian had a pint and Lily and I had some white wine. Once were settled down, Lily started asking me questions about my plans.
"I have my heart set on teaching at a particular art school but in order to do that, Im going to have to be able to demonstrate that Im comfortable with all media. How can you teach what you cant do? So, Ive been working on a portfolio that will do that, but Ive got a lot to do on it and in the meantime, Ive got a shot at the new Magnunson Corporate logo thanks to Professor Whitlow. It would pay enough to carry me for while even without any other work. Almost anything would be better than working for Elliot and spending half my time naked and on my back."
"So basically, you need a place to live and work until you get your portfolio and this commercial stuff done?"
"Yeah, but when I was home, I had the whole attic as my studio and since nobody goes up there, I could focus completely."
"I see, and what more do you have to do on the portfolio?"
"Ive got pieces ready in most of the genre, but I need to do a sculpture of some kind. Ive done some work with clay so thats what Ill use for that. For the painting part, I have three pieces that have to be completed. I have to do two figure studies in my choice of two media, and one of what Professor Whitlow calls his version of Interpretive
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